Study on the interaction between female aesthetic symbols and social identity in the paintings of Song Dynasty
宋代绘画中的女性审美符号与社会身份互动研究

摘要

宋代是中国历史上政治、经济、文化繁荣的时期，绘画艺术在这一时期达到新的高度。女性形象在宋代绘画中不仅是审美的对象，更是文化符号，体现了社会对女性角色的认知与构建。本文通过对宋代绘画中女性形象的分析，探讨了女性审美符号的形成与演变，以及这些符号与社会身份的互动关系。宋代女性审美符号通过服饰、姿态、场景等元素，反映了贵族女性、平民女性和宗教女性的不同社会身份与角色。这些审美符号不仅强化了女性的社会身份认同，还传递了宋代社会的价值观与审美范式，塑造了女性在家庭、社会和精神领域中的多重角色。

Abstract

The Song Dynasty was a period of political, economic and cultural prosperity in Chinese history, during which the art of painting reached a new height. Female images in the paintings of the Song Dynasty are not only aesthetic objects, but also cultural symbols, reflecting the social cognition and construction of female roles. Through the analysis of female images in the paintings of Song Dynasty, this paper discusses the formation and evolution of female aesthetic symbols, as well as the interactive relationship between these symbols and social identity. The female aesthetic symbols in the Song Dynasty reflected the different social identities and roles of noble women, civilian women and religious women through clothing, posture, scene and other elements. These aesthetic symbols not only strengthen women's social identity, but also convey the values and aesthetic paradigm of the Song Dynasty society, shaping women's multiple roles in the family, society and spiritual fields.