The diverse presentations of the thought of "The Unity of Man and Nature" in Ne Zha 2
《哪吒之魔童闹海》中“天人合一”思想的多元呈现

摘要

“天人合一”是道家哲学的核心思想，蕴含着深厚的哲学与文化内涵。动画电影《哪吒之魔童闹海》对这一思想进行了极具创意的多元化呈现：太乙真人以莲藕重塑哪吒和敖丙肉身，体现自然与生命的交融，达成人与自然的和谐统一；哪吒从自我觉醒走向自我接纳的成长历程，展现个体与命运的和解，契合“道法自然”的道家思想；而影片对仙魔二元对立的解构，借哪吒、敖丙打破传统仙魔观念，体现万物平等的理念；灵珠魔丸水火相济的设定呈现阴阳互补、和谐共生的理念。影片突破传统神话叙事，将道家思想巧妙融入角色与情节，以现代视角重新诠释经典神话，为中国神话电影在文化传承与创新上开辟了新路径。

Abstract

"The Unity of Man and Nature" is the core idea of Daoist philosophy, containing profound philosophical and cultural connotations. The animated film Ne Zha 2, a creative and diversified presentation of this idea, shows the following aspects: The Immortal Taiyi uses lotus roots to reshape the physical bodies of Ne Zha and Ao Bing, embodying the integration of nature and life and achieving the harmonious unity between man and nature. Ne Zha's growth process from self-awakening to self-acceptance demonstrates the reconciliation between the individual and fate, which is in line with the Daoist thought of "following the way of nature". The deconstruction of the binary opposition between immortals and demons in the film, through Ne Zha and Ao Bing breaking the traditional concept of immortals and demons, reflects the idea of equality of all things. The setting of the Spirit Pearl and the Demon Pill, which are complementary like water and fire, presents the concept of yin and yang complementarity and harmonious coexistence. Breaking through the traditional myth narrative, the film skillfully integrates Daoist thoughts into the characters and plots, reinterprets the classic myths from a modern perspective, and opens up a new path for Chinese mythological films in cultural inheritance and innovation.