A study on culture-loaded words of Double Imperial Edicts’ libretto from the perspective of belt and road initiative
“一带一路”视域下秦腔《双官诰》剧本中文化负载词的英译研究

摘要

虽然秦腔较之中国戏曲百花苑中的五大戏曲“京剧，豫剧，越剧，评剧，黄梅戏”不被中外戏迷广泛了解并传唱，但是作为戏曲梆子声腔的鼻祖，“一带一路”文化建设和交流的重要组成部分，以及国家非物质文化遗产，秦腔英译具有重要的研究意义和探究空间。本研究以陕西戏曲研究院出品的《双官诰》剧本为例，试译剧本中的文化负载词，以期为秦腔英译及中国戏曲传播提供一点资料和管见。

Abstract

Compared with the major five operas in China, namely Jing opera, Henan opera, Yue opera, Ping opera and Huangmei opera, Qinqiang is not widely known and sung by Chinese Xiqu fans. However, as the origin of Bangzi Tune-pattern, the essential part of cultural development in the Belt and Road Initiative, and the national nonmaterial cultural legacy, researches on the translation of Qinqiang is significant and worthy of inquiry. This essay is going to discuss culture-loaded words in the libretto of the Double Imperial Edict, which is applied by Shaanxi Xiqu Research Institute in their performance, namely: salutations, dialects, folk adages and allusions. It aims to provide some clues and suggestions for those who are taking an interest in translation of Qinqiang and the spread of Chinese Xiqu.