The evolution of aesthetic thoughts in Chinese calligraphy
中国书法美学思想嬗变探究

摘要

书法美学思想是对书法艺术的一种审美研究，包含了东方的美学观和艺术观，是书学和艺术美学的重要部分。具体来讲，它是指书家在书法实践中对于书法的各种表现形式所作的美学概括，是书家在书法创作时对自身审美意识和审美情趣的认知，这种自我意识是人对自己“作为主体”的一种自觉认识和情感体验。所谓“艺术美学”，就是研究艺术的美感特性及其审美价值。虽然不同的时代、不同书家对审美标准有着不同的理解和选择，但对于艺术作品的形式和内容与美感之间的内在辩证关系却有着基本相同的认识。

Abstract

The aesthetics of calligraphy is a form of aesthetic study focused on the art of calligraphy, encompassing Eastern aesthetic views and artistic concepts. It constitutes an important part of the study of calligraphy and art aesthetics. Specifically, it refers to the aesthetic generalizations made by calligraphers regarding the various forms of expression in calligraphy during their artistic practice. It reflects the calligrapher's awareness and understanding of their own aesthetic consciousness and preferences during the creative process. This self-awareness is a conscious recognition and emotional experience of oneself as a "subject." The term "art aesthetics" refers to the study of the aesthetic characteristics and aesthetic value of art. Although different eras and individual calligraphers may have varying interpretations and choices of aesthetic standards, there remains a fundamentally shared understanding of the dialectical relationship between the form, content, and aesthetic value of artistic works.